Alibi V.21 No.33 • Aug 16-22, 2012 ››
King Tuff’s Spooky Rock and Roll Stylings
King Tuff is the alias and band of Brattleboro, Vt. native and L.A. resident Kyle Thomas. His music varies from mellow psychedelia to blazing power pop. Imbued with Mr. Tuff’s righteous guitar parts, every bit of it is worthy of earnest Bic salutations or fully engaged fist pumps. You can see King Tuff play live on Monday at the Launchpad with similarly amazing L.A. band Audacity. In the meantime, eavesdrop on the telephone conversation King Tuff and I had about jock jams and the magic of music. And I totally was not the stoned one.
Vintage Burque Band Photos
From the Alibi vaults: In 2005 Laura Marrich and Jessica Cassyle Carr rescued a bunch of old local band promo photos from the trash. In the years since, Laura has been their guardian (... or, at least, she kept them in a pile in the back of her filing cabinet). Sure, nostalgia isn’t what it used to be, but here are some of the best shots:
[click to enlarge]
Flyer on the Wall
It’s a Circus
Gwyneth's birthday freaktacular features the rock stylings of SuperGiant, Fatso, Icky & The Yuks and Mother Death Queen. Take in the spectacle on Saturday, Aug. 18, beginning at 9:30 p.m. at the Launchpad (618 Central SW). Admission to the 21-and-over event is $5. (JCC)
Why? • indie rock, alt.hip-hop, alt.rock, pop, folk • Go Dark • experimental
If you want a reminder—and not from Radiohead—that hip-hop is everywhere, even in the indie rock that millennials are sorta into (but only after they listen to every goddamn thing they can find by Kendrick Lamar) then trip, trip, trip on down to Sister on Monday, Feb. 19 at 8pm for a recital of sorts by Cincinnati alt-rappers cum indie rock stars, WHY? Founded by a dude named Yoni in the distant and unremembered aughts, WHY? has gained traction among rockish young audiences with their pop-nuanced mash-up of rocanrol and hip-hop. They got all kinda crazy rhythms, jams and flows going on betwixt rock references and may do some drugs; their latest effort is called Moh Lhean, after all. Additionally, the critics at Allmusic have judged their music as “quirky” which oughta count for something, amirite? They do have some pretty righteous tuneage, including works like “George Washington,” “White English” and “Into the Shadows of My Embrace.” Seriously, this one's worth the price of admission and if you're into skinny jeans and man buns, then damn, get out there, girl! The cover is $15 to $18, 21+.