“The Painter’s Vision Is Not a Lens”
New work by Eric G. Thompson comes alive
Thompson likes to call his paintings “visual haikus,” which spurred the Matthews Gallery to display snippets of great American poetry in the exhibit, samples from poets including Emily Dickinson, Elizabeth Bishop, Robert Lowell and Robert Frost.
Later on, the poem continues: “Pray for the grace of accuracy/ Vermeer gave to the sun’s illumination/ stealing like the tide across a map/ to his girl solid with yearning.” Though large sunglasses hide her face and her meager mouth is expressionless, the Coffee Shop Girl is ravenous. We see her frayed emotional state in the feathery brushstrokes in the background, the squirming reddish-brown tendrils of her ponytail, and the sparkling clusters of dandelion-like fur attached to the hood of her puffy coat.
“Why not simply take a photograph?” How else to give voice to our common predicament than with oil, egg tempera and watercolor or with the pen and ink of our best American poets? In the end, we are not always lonely, but forever alone.
Runs through Thursday, Aug. 28
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