Anyone who’s interested in sound- and art-installation in the Southwest is probably familiar with Postcommodity. The collective, comprised of four Native American artists working in a variety of mediums has been creating politcally charged and culturally inquisitive work since 2007. For this week’s arts profile, the Alibi caught up with member Raven Chacon to discuss the direction of Postcommodity in the wake of a large grant and an upcoming installation in Australia.
Postcommodity On The Rise
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