The Alibi’s Flash Fiction issue hit stands today. As promised, here’s the first in a series of entries that didn’t make it to print, but that we loved, nonetheless. Check out the awesome art accompanying Estella Mitchell’s story. The highly imaginative—not to mention eerie—piece reminded me a bit of that scene where Nic Cage reads the kid’s poem in the great Werner Herzog film Bad Lieutenant: Port of Call—New Orleans.
Flash Fiction Marches On
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