Latest Article|September 3, 2020|Free
::Making Grown Men Cry Since 1992
1 min read
This episode we stay in Germany because the beer is strong, the women are beautiful, and the early electronic experimentation is as primal as it could possibly be. Florian Fricke’s krautrock project Popol Vuh (named after the Mesoamerican mythological tome) is probably best known for providing the crashing, guitar- and sitar-laden soundtracks for many of Werner Herzog’s deeply weird narrative films (esp. Aguirre: The Wrath of God and Heart of Glass), but this very early clip (circa 1970) shows them in an embryonic state, just a couple of holy technicians worshipping at a Modular Moog and another dude on tabla. This improvisation and others were released as Affenstunde, one of the dreamiest, most contemplative electronic records of all time (hell, it’s even name-checked by Mixmaster Morris). Nope, not jazz, rock or fusion. But highly psychedelic.