Alibi V.19 No.41 • Oct 14-20, 2010 
Could this band be more popular than Jesus?

Show Up!

Think (Really) Big

The Safes aims for nothing less than everything

Professional success is a matter of consequence to anyone who takes his or her job seriously, and Frankie O'Malley is no exception. He wants his band, The Safes, to make it big. What comparable level of success is he ultimately working toward? “Oh, for me, The Beatles,” says the guitarist, using the faintest of pauses between question and answer. “I want to be the biggest band ever.” O'Malley makes his aspirations sound a bit more general: “I believe wholeheartedly that we can cross over into the mainstream. Without a doubt.”

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Captain America

Spotlight

Resin Junior High School Reunion

Long before the local clubs would demean themselves by booking punk bands (and before “punk” became a genre and not an outlook), Albuquerque had a seething, seamy musical underbelly of garage bands that actually gigged in garages, cellars and even frat houses. These shows were sometimes promoted by hand-scrawled flyers but mostly by word of mouth. There was a DIY record label (Resin). There was a record store that sold Resin releases (Bow Wow). And there were bagels, lots of bagels, and shows in a Nob Hill basement near sweltering ovens (Fred’s Bread & Bagel). There was also a man who counted a cast of characters among his friends, acted as their attorney and confidant, and hauled in mountains of crawfish from the Gulf for band parties. This Friday, friends of New Orleans native Gary Wayne Nelson (who is seriously ill) will be on deck at the Launchpad to return his many favors with a benefit show.

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Flyer on the Wall

Albuquerque Is Awesome

More and more, our remote, wild Western burg is proving to be an oasis of music and art that explores new frontiers. Nay, you say? Here’s evidence: Albuquerque Experimental is a two-day festival composed of 25 performances. The lineup is largely local with notable out-of-town troubadours sprinkled throughout (NYC psych pioneer Silver Apples; John Dieterich of Deerhoof, who’s performing with New Mexico’s own Raven Chacon). This event, masterminded by KUNM music host Peter Mezensky, will take place at The Kosmos (1715 Fifth Street NW) on Friday, Oct. 15, at 7 p.m. and on Saturday, Oct. 16, at 3 p.m. Two-day passes go for $20, while single passes are $10 on Friday and $15 on Saturday. For a full lineup and more information, go to albuquerqueexperimental.com. (Jessica Cassyle Carr)

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Song Roulette

Random selections from the collection of I is for Ida’s Harry Brown

Harry Brown is a local musician and scooter entrepreneur (downtownscooternm.com). On Monday, Oct. 18, you can find his band I is for Ida performing for the first time in more than a year. Armed with new songs, the band plays in the middle of a tangy Portlander sandwich made of psychedelic disco act Lookbook and gloomy post-punker headliner The Prids. The show happens at Low Spirits (2823 Second Street NW) beginning at 9 p.m. A mere five ducat admission will be granted only to those of legal drinking age. Below lies a random smattering of Brown collection tracks that might provide some sonic foreshadowing for Monday’s show.

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Sonic Reducer

The Rebel Set Poison Arrow · Tumbledown Empty Bottle · The Bright Light Social Hour The Bright Light Social Hour

This trio hails from Phoenix, which may be one of those secret cool cities most people don’t know about. Poison Arrow is one big tambourine-smashing dance party. Frenzied maracas rattle in the background on several tracks and surf guitar is prominent throughout, but there’s also a hefty helping of garage rock. Recording in analog increases the vintage sound. Guitarist/vocalist Joe Zimmerman has a high, sharp voice, making the lyrics sound mean and snotty—in a good way. By track 5 you might be thinking, Hey, all these songs sound kinda the same. But that’s OK—they sound awesome.

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The Cat's in the Cradle

Miss May I • Ice Nine Kills • metal • Capsize • alternative, melodic hardcore • Lorna Shore • emocore • Westwind

If you still haven't had your fill of melodic hardcore, emocore and/or emo with no chaser—and lord knows who hasn't; I still dream of Hawthorne Heights every night before jumping up from my La-Z-Boy recliner and toddling off to bed—then do yourself a solid and visit Albuquerque's home for rock…
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Are You Ready Kids?

TOKiMONSTA • electronic, hip-hop

Electronic experimentalist and heady hip-hop instrumentalist Jennifer Lee, better known as TOKiMONSTA, makes an appearance at the Historic El Rey Theater on Thursday, Sept. 28. An astral entity whose work with Project Blowed and Flying Lotus landed her squarely within the realm of El Lay’s underground hip-hop movement, Lee also happens to be a classically trained pianist. She is well known for deconstructing the work of luminaries like Justin Timberlake and Yacht through remixes that absolutely come apart in your head as the beat drops—sometimes delicately, sometimes like thunder, but always with a focus that speaks volumes about her musical prowess and wonky tendency to digress upon subtle rhythms and beatific bits of melody. $15 is all it will cost the average 18+ listener to engage in the elusive what-comes-next nature of West-Coast grooviness. The curtain rises on TokiMonsta at 9pm.
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Sorry, Not Sorry

Sorry Guero! • American death groove • Moonshine Blind • rock, country • The Lords of Wilmoore • punk rock • Cobra Vs. Mongoose

Hard rock is a thing that occasionally raises it's grizzled, drug-addled head in this dusty desert. It's a damn good thing the dude can play the guitar like ringing a bell. It also helps that the thing can sing. If not for these two crowd-pleasing aspects, Dirty City denizens would have booted Hard rock and his ilk outta this town ages ago. If you still haven't been exposed to this phenomena, may I suggest you haul your hipster ass down to Launchpad on Saturday, Sept. 30, for the album release party hosted by Burque groove-metal stalwarts Sorry Guero! The entirety of the diamond tough, blue-jean-clad, head-banging subculture who worship hard rock will be there, solidly represented by bands like hillbilly-heshers Moonshine Blind and pure punk provocateurs such the Lords of Wilmoore (eh, I lived on that street too, as an undergrad) and Cobra vs. Mongoose. So be there or be obtuse; it's only ten bones, okay?
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